Directing
Robert Fischer
1954-10-02 · Greven, Germany
Known for
Daniel, the Wizard
Fassbinder in Hollywood
Ernst Lubitsch in Berlin: From Schönhauser Allee to Hollywood
Monsieur Truffaut Meets Mr. Hitchcock
The Cinema and its Double: Rainer Werner Fassbinder's 'Despair' Revisited
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Contract Kid: William Reynolds on Douglas Sirk
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Swan Song: The Story of Billy Wilder's Fedora
Moral Tales, Filmic Issues: A Conversation between Barbet Schroeder and Eric Rohmer
The Beast Inside: Creating 'Wolf'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Rag Doll Memories: Nancy Allen on 'Blow Out'
Starting Out: The Making of Jerzy Skolimowski's Deep End
Requiem for a Killer: The Making of 'Blast of Silence'
Movie credits · 86
Good Times: Dominik Graf on Directing the Cat
Jenseits von Gut und Böse: Christoph Fromm über 'Die Katze'
Alles auf eine Karte: Georg Feil über 'Die Katze'
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Jack Arnold Remembers The Incredible Shrinking Man
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
Core of Reality: Robert Blees on Douglas Sirk’s Magnificent Obsession
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Life As It Is: Miloš Forman on Miloš Forman
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Weimar on the Pacific
Dietrich Icon
Homay King on 'Shanghai Express'
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
The Beast Inside: Creating 'Wolf'
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
Program Notes: An Introduction To The Last Detail By Alexander Payne
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Traveling Roadshow
Outer Movement, Inner Movement
Hans Fromm on 'Phoenix'
Love/Work/Cinema: A Conversation with Christian Petzold and Nina Hoss
Love Letters
Return to Beethoven Street: Sam Fuller in Germany
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Perspectives on Othello: Joseph McBride on Orson Welles
Swan Song: The Story of Billy Wilder's Fedora
Touching Death: Alejandro Amenábar on 'Tesis'
Rumble on the Lot: Walter Hill's Streets of Fire Revisited
Blood on the Lens: Richard H. Kline on Brian De Palma's 'The Fury'
Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered
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