Directing
Michel Auder
Soissons, Aisne, France
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Known for
Homeo
Cleopatra
Chromo sud
Fun and Games for Everyone
Birth of a Nation
Chelsea Girls with Andy Warhol
Langlois
The Feature
Voyage to the Center of the Phone Lines
Chasing the Dragon
Chronicles: Morocco
Keeping Busy
Fictional Art Film
High Life
The Course of Empire
Gulf War TV War
Movie credits · 46
Fictional Art Film
High Life
The Course of Empire
Gulf War TV War
Phone content HQ6s02 BERLIN CAMERAROLL
1967
Daytime Version of the Night
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Endless Column
Narcolepsy
Shoppingheads
Confession
Blind Sex
Heads in Love
Alice Neel Paints Margaret
The Feature
Chelsea, Manhattan - NYC
It's Hard to Be Down When You're Up
Apocalypse Later - Hudson
Bitte Danke
Birth of a Nation
My Last Bag of Heroin (For Real)
Polaroid Cocaine
Voyage to the Center of the Phone Lines
Roman Variations
Magnetic Notes, 1986-1987
Brooding Angels
Chasing the Dragon
Coupla White Faggots Sitting Around Talking
Talking Head
48 Hours in 8 Minutes
Jesus
Seduction of Patrick
My Love
Made for Denise
Chelsea Girls with Andy Warhol
Chronicles: Morocco
The Valerie Solanas Incident
Langlois
Cleopatra
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