Untitled (Pink Dot)
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
Director
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![Sculptures [short]](https://image.tmdb.org/t/p/w342/4Ro6uepPWHINvYeSAd5mKZBvceR.jpg)
Sculptures [short]
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