to forget
to forget is a filmic journey on the potentialities of forgetting and its resemblance to remembering. Recorded on expired Super-8 and 16mm film, forgetting becomes productive and ”’visible” in non-existing, fading and colour-transformed film exposures. This (non-)documentation of possibly empty and fading spaces (to be) is further highlighted by Jejuno’s trance-like and uncanny sound composition: The abyss is present.
Director
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